
Leading makeup artists recommend shades and textures for anti-age shadows.
Shadow Color For Eyes, Tom Ford

Alexandra Kirienko:
“The shadows have excellent durability - they were applied to the eyelids and forgotten until evening. They give a slightly damp shimmer. I love all shades of Tom Ford cream eyeshadow, but Platinum (01) especially! Versatile - suitable for blondes and brunettes, both for daytime and evening makeup (in the second case, apply in a thick layer). If you don't have a brush on hand, feel free to apply the pigment with your fingers - it will turn out smoothly and neatly. I also recommend using them as a substrate for dry shadows - they will not let them crumble. Remove with a two-phase cleanser."
Shiseido cream eyeshadow

Tim Leo:
“Pigmented, luminous and very long-lasting - won't roll or crumble all day. I love cream eyeshadow for its plasticity - you can apply it with your fingers in a couple of seconds."
Eyeshadow palette Crystal Copper, Gucci

Egor Kartashov:
“My new discovery is a box with a“four”of irreplaceable shades. I saw her for the first time in Articoli GUM. These shadows help me create any image - light and delicate or bright evening. The pigmentation of the product is high, the shadows are easily shaded - it seems that they are “shading themselves.” A couple of strokes of the brush - and the color fades away smoothly. No clear boundaries - only smooth transitions are visible. Each shade in this palette lasts all day - the shadow really does not need to be corrected and carried in a purse."
Architectonic eyeshadow palette, 5 shades, Chanel

Ernest Muntaniol:
“For gray eyes, try not to use shades of eyeshadow that completely match the color scheme of the iris. I recommend the silver-steel ones: it is the metallic sheen that gives gray eyes a shine effect. Also navy blue, silvery blue, black, lilac-lilac will do.
Shadow Color Quad, shade 01 Golden Mink, Tom Ford

Sergey Naumov:
“Easy to blend and layered on top of each other. They make interesting transitions. The pigments are shiny, but do not crumble - they are securely fixed on the eyelids. Plus a large selection of rich shades for every taste!"
Giorgio Armani Eye Tint, shade 9

Alexandra Kirienko:
“I recommend combining dry and creamy textures. Use cream as a base (such as Tom Ford, Becca, Giorgio Armani). For shooting, I most often choose shade No. 9 of Giorgio Armani Eye Tint - suitable for everyone, especially those with drooping eyelids. No need to draw a crease - it gives a good shadow, and there is already a highlight on the center of the eyelid. Blending dry textures with Giorgio Armani Eye Tint is done with a couple of brush strokes."
Inglot Aquastic Cream Eyeshadow, shade 16

Olga Tomina:
“For a lifting make-up, shape your eyes with matte shadows, then use satin textures like Inglot Aquastic for a beautiful natural glow of the skin. Somehow everyone knows that powder on the face emphasizes wrinkles, but shadow on the eyelids does not. In fact, they also highlight age-related changes. I told about other secrets of eye makeup here."
Palette Urban Decay Naked 2

Top makeup artist Margarita Petrova:
“For nude eye make-up, the universal palette is Urban Decay 2. I apply any neutral shade on the movable eyelid and blend it up a little. I fill the eyebrows with shadows not brighter than the color of the eyebrows. If you are blonde, brown mascara is better.”
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